Barrie, J M - My Lady Nicotine Page 3
CHAPTER V.
MY TOBACCO-POUCH.
I once knew a lady who said of her husband that he looked nice when sitting with a rug over him. My female relatives seemed to have the same opinion of my tobacco-pouch; for they never saw it, even in my own room, without putting a book or pamphlet over it. They called it "that thing," and made tongs of their knitting-needles to lift it; and when I indignantly returned it to my pocket, they raised their hands to signify that I would not listen to reason. It seemed to come natural to other persons to present me with new tobacco-pouches, until I had nearly a score lying neglected in drawers. But I am not the man to desert an old friend that has been with me everywhere and thoroughly knows my ways. Once, indeed, I came near to being unfaithful to my tobacco-pouch, and I mean to tell how--partly as a punishment to myself.
The incident took place several years ago. Gilray and I had set out on a walking tour of the Shakespeare country; but we separated at Stratford, which was to be our starting-point, because he would not wait for me. I am more of a Shakespearian student than Gilray, and Stratford affected me so much that I passed day after day smoking reverently at the hotel door; while he, being of the pure tourist type (not that I would say a word against Gilray), wanted to rush from one place of interest to another. He did not understand what thoughts came to me as I strolled down the Stratford streets; and in the hotel, when I lay down on the sofa, he said I was sleeping, though I was really picturing to myself Shakespeare's boyhood. Gilray even went the length of arguing that it would not be a walking tour at all if we never made a start; so, upon the whole, I was glad when he departed alone. The next day was a memorable one to me. In the morning I wrote to my London tobacconist for more Arcadia. I had quarrelled with both of the Stratford tobacconists. The one of them, as soon as he saw my tobacco-pouch, almost compelled me to buy a new one. The second was even more annoying. I paid with a half-sovereign for the tobacco I had got from him; but after gazing at the pouch he became suspicious of the coin, and asked if I could not pay him in silver. An insult to my pouch I considered an insult to myself; so I returned to those shops no more. The evening of the day on which I wrote to London for tobacco brought me a letter from home saying that my sister was seriously ill. I had left her in good health, so that the news was the more distressing. Of course I returned home by the first train. Sitting alone in a dull railway compartment, my heart was filled with tenderness, and I recalled the occasions on which I had carelessly given her pain. Suddenly I remembered that more than once she had besought me with tears in her eyes to fling away my old tobacco-pouch. She had always said that it was not respectable. In the bitterness of self-reproach I pulled the pouch from my pocket, asking myself whether, after all, the love of a good woman was not a far more precious possession. Without giving myself time to hesitate, I stood up and firmly cast my old pouch out at the window. I saw it fall at the foot of a fence. The train shot on.
By the time I reached home my sister had been pronounced out of danger. Of course I was much relieved to hear it, but at the same time this was a lesson to me not to act rashly. The retention of my tobacco-pouch would not have retarded her recovery, and I could not help picturing my pouch, my oldest friend in the world, lying at the foot of that fence. I saw that I had done wrong in casting it from me. I had not even the consolation of feeling that if any one found it he would cherish it, for it was so much damaged that I knew it could never appeal to a new owner as it appealed to me. I had intended telling my sister of the sacrifice made for her sake; but after seeing her so much better, I left the room without doing so. There was Arcadia Mixture in the house, but I had not the heart to smoke. I went early to bed, and fell into a troubled sleep, from which I awoke with a shiver. The rain was driving against my window, tapping noisily on it as if calling on me to awake and go back for my tobacco-pouch. It rained far on into the morning, and I lay miserably, seeing nothing before me but a wet fence, and a tobacco-pouch among the grass at the foot of it.
On the following afternoon I was again at Stratford. So far as I could remember, I had flung away the pouch within a few miles of the station; but I did not look for it until dusk. I felt that the porters had their eyes on me. By crouching along hedges I at last reached the railway a mile or two from the station, and began my search. It may be thought that the chances were against my finding the pouch; but I recovered it without much difficulty. The scene as I flung my old friend out at the window had burned itself into my brain, and I could go to the spot to-day as readily as I went on that occasion. There it was, lying among the grass, but not quite in the place where it had fallen. Apparently some navvy had found it, looked at it, and then dropped it. It was half-full of water, and here and there it was sticking together; but I took it up tenderly, and several times on the way back to the station I felt in my pocket to make sure that it was really there.
I have not described the appearance of my pouch, feeling that to be unnecessary. It never, I fear, quite recovered from its night in the rain, and as my female relatives refused to touch it, I had to sew it together now and then myself. Gilray used to boast of a way of mending a hole in a tobacco-pouch that was better than sewing. You put the two pieces of gutta-percha close together and then cut them sharply with scissors. This makes them run together, he says, and I believed him until he experimented upon my pouch. However, I did not object to a hole here and there. Wherever I laid that pouch it left a small deposit of tobacco, and thus I could generally get together a pipeful at times when other persons would be destitute. I never told my sister that my pouch was once all but lost, but ever after that, when she complained that I had never even tried to do without it, I smiled tenderly.
CHAPTER VI.
MY SMOKING-TABLE.
Had it not been for a bootblack at Charing Cross I should probably never have bought the smoking-table. I had to pass that boy every morning. In vain did I scowl at him, or pass with my head to the side. He always pointed derisively (as I thought) at my boots. Probably my boots were speckless, but that made no difference; he jeered and sneered. I have never hated any one as I loathed that boy, and to escape him I took to going round by the Lowther Arcade. It was here that my eye fell on the smoking-table. In the Lowther Arcade, if the attendants catch you looking at any article for a fraction of a second, it is done up in brown paper, you have paid your money, and they have taken down your address before you realize that you don't want anything. In this way I became the owner of my smoking-table, and when I saw it in a brown-paper parcel on my return to my chambers I could not think what it was until I cut the strings. Such a little gem of a table no smokers should be without; and I am not ashamed to say that I was in love with mine as soon as I had fixed the pieces together. It was of walnut, and consisted mainly of a stalk and two round slabs not much bigger than dinner-plates. There were holes in the centre of these slabs for the stalk to go through, and the one slab stood two feet from the floor, the other a foot higher. The lower slab was fitted with a walnut tobacco-jar and a pipe-rack, while on the upper slab were exquisite little recesses for cigars, cigarettes, matches, and ashes. These held respectively three cigars, two cigarettes, and four wax vestas. The smoking-table was an ornament to any room; and the first night I had it I raised my eyes from my book to look at it every few minutes. I got all my pipes together and put them in the rack; I filled the jar with tobacco, the recesses with three cigars, two cigarettes, and four matches; and then I thought I would have a smoke. I swept my hand confidently along the mantelpiece, but it did not stop at a pipe. I rose and looked for a pipe. I had half a dozen, but not one was to be seen--none on the mantelpiece, none on the window-sill, none on the hearth-rug, none being used as book-markers. I tugged at the bell till William John came in quaking, and then I asked him fiercely what he had done with my pipes. I was so obviously not to be trifled with that William John, as we called him, because some thought his name was William, while others thought it was John, very soon handed me my favorite pipe, which he found in the rac
k on the smoking-table. This incident illustrates one of the very few drawbacks of smoking-tables. Not being used to them, you forget about them. William John, however, took the greatest pride in the table, and whenever he saw a pipe lying on the rug he pounced upon it and placed it, like a prisoner, in the rack. He was also most particular about the three cigars, the two cigarettes, and the four wax vestas, keeping them carefully in the proper compartments, where, unfortunately, I seldom thought of looking for them.
The fatal defect of the smoking-table, however, was that it was generally rolling about the floor--the stalk in one corner, the slabs here and there, the cigars on the rug to be trampled on, the lid of the tobacco-jar beneath a chair. Every morning William John had to put the table together. Sometimes I had knocked it over accidentally. I would fling a crumpled piece of paper into the waste-paper basket. It missed the basket but hit the smoking-table, which went down like a wooden soldier. When my fire went out, just because I had taken my eyes off it for a moment, I called it names and flung the tongs at it. There was a crash--the smoking-table again. In time I might have remedied this; but there is one weakness which I could not stand in any smoking-table. A smoking-table ought to be so constructed that from where you are sitting you can stretch out your feet, twist them round the stalk, and so lift the table to the spot where it will be handiest. This my smoking-table would never do. The moment I had it in the air it wanted to stand on its head.
Though I still admired smoking-tables as much as ever, I began to want very much to give this one away. The difficulty was not so much to know whom to give it to as how to tie it up. My brother was the very person, for I owed him a letter, and this, I thought, would do instead. For a month I meant to pack the table up and send it to him; but I always put off doing it, and at last I thought the best plan would be to give it to Scrymgeour, who liked elegant furniture. As a smoker, Scrymgeour seemed the very man to appreciate a pretty, useful little table. Besides, all I had to do was to send William John down with it. Scrymgeour was out at the time; but we left it at the side of his fireplace as a pleasant surprise. Next morning, to my indignation, it was back at the side of my fireplace, and in the evening Scrymgeour came and upbraided me for trying, as he most unworthily expressed it, "to palm the thing off on him." He was no sooner gone than I took the table to pieces to send it to my brother. I tied the stalk up in brown paper, meaning to get a box for the other parts. William John sent off the stalk, and for some days the other pieces littered the floor. My brother wrote me saying he had received something from me, for which his best thanks; but would I tell him what it was, as it puzzled everybody? This was his impatient way; but I made an effort, and sent off the other pieces to him in a hat-box.
That was a year ago, and since then I have only heard the history of the smoking-table in fragments. My brother liked it immensely; but he thought it was too luxurious for a married man, so he sent it to Reynolds, in Edinburgh. Not knowing Reynolds, I cannot say what his opinion was; but soon afterward I heard of its being in the possession of Grayson, who was charmed with it, but gave it to Pelle, because it was hardly in its place in a bachelor's establishment. Later a town man sent it to a country gentleman as just the thing for the country; and it was afterward in Liverpool as the very thing for a town. There I thought it was lost, so far as I was concerned. One day, however, Boyd, a friend of mine who lives in Glasgow, came to me for a week, and about six hours afterward he said that he had a present for me. He brought it into my sitting-room--a bulky parcel--and while he was undoing the cords he told me it was something quite novel; he had bought it in Glasgow the day before. When I saw a walnut leg I started; in another two minutes I was trying to thank Boyd for my own smoking-table. I recognized it by the dents. I was too much the gentleman to insist on an explanation from Boyd; but, though it seems a harsh thing to say, my opinion is that these different persons gave the table away because they wanted to get rid of it. William John has it now.
CHAPTER VII.
GILRAY.
Gilray is an actor, whose life I may be said to have strangely influenced, for it was I who brought him and the Arcadia Mixture together. After that his coming to live on our stair was only a matter of rooms being vacant.
We met first in the Merediths' house-boat, the _Tawny Owl_, which was then lying at Molesey. Gilray, as I soon saw, was a man trying to be miserable, and finding it the hardest task in life. It is strange that the philosophers have never hit upon this profound truth. No man ever tried harder to be unhappy than Gilray; but the luck was against him, and he was always forgetting himself. Mark Tapley succeeded in being jolly in adverse circumstances; Gilray failed, on the whole, in being miserable in a delightful house-boat. It is, however, so much more difficult to keep up misery than jollity that I like to think of his attempt as what the dramatic critics call a _succes d'estime_.
The _Tawny Owl_ lay on the far side of the island. There were ladies in it; and Gilray's misery was meant to date from the moment when he asked one of them a question, and she said "No." Gilray was strangely unlucky during the whole of his time on board. His evil genius was there, though there was very little room for him, and played sad pranks. Up to the time of his asking the question referred to, Gilray meant to create a pleasant impression by being jolly, and he only succeeded in being as depressing as Jaques. Afterward he was to be unutterably miserable; and it was all he could do to keep himself at times from whirling about in waltz tune. But then the nearest boat had a piano on board, and some one was constantly playing dance music. Gilray had an idea that it would have been the proper thing to leave Molesey when she said "No;" and he would have done so had not the barbel-fishing been so good. The barbel-fishing was altogether unfortunate--at least Gilray's passion for it was. I have thought--and so sometimes has Gilray--that if it had not been for a barbel she might not have said "No." He was fishing from the house-boat when he asked the question. You know how you fish from a house-boat. The line is flung into the water and the rod laid down on deck. You keep an eye on it. Barbel-fishing, in fact, reminds one of the independent sort of man who is quite willing to play host to you, but wishes you clearly to understand at the same time that he can do without you. "Glad to see you with us if you have nothing better to do; but please yourself," is what he says to his friends. This is also the form of invitation to barbel. Now it happened that she and Gilray were left alone in the house-boat. It was evening; some Chinese lanterns had been lighted, and Gilray, though you would not think it to look at him, is romantic. He cast his line, and, turning to his companion, asked her the question. From what he has told me he asked it very properly, and all seemed to be going well. She turned away her head (which is said not to be a bad sign) and had begun to reply, when a woful thing happened. The line stiffened, and there was a whirl of the reel. Who can withstand that music? You can ask a question at any time, but, even at Molesey, barbel are only to be got now and then. Gilray rushed to his rod and began playing the fish. He called to his companion to get the landing-net. She did so; and after playing his barbel for ten minutes Gilray landed it. Then he turned to her again, and she said, "No."
Gilray sees now that he made a mistake in not departing that night by the last train. He overestimated his strength. However, we had something to do with his staying on, and he persuaded himself that he remained just to show her that she had ruined his life. Once, I believe, he repeated his question; but in reply she only asked him if he had caught any more barbel. Considering the surprisingly fine weather, the barbel-fishing, and the piano on the other boat, Gilray was perhaps as miserable as could reasonably have been expected. Where he ought to have scored best, however, he was most unlucky. She had a hammock swung between two trees, close to the boat, and there she lay, holding a novel in her hand. From the hammock she had a fine view of the deck, and this was Gilray's chance. As soon as he saw her comfortably settled, he pulled a long face and climbed on deck. There he walked up and down, trying to look the image of despair. When she made some remark to h
im, his plan was to show that, though he answered cordially, his cheerfulness was the result of a terrible inward struggle. He did contrive to accomplish this if he was waiting for her observation; but she sometimes took him unawares, starting a subject in which he was interested. Then, forgetting his character, he would talk eagerly or jest with her across the strip of water, until with a start he remembered what he had become. He would seek to recover himself after that; but of course it was too late to create a really lasting impression. Even when she left him alone, watching him, I fear, over the top of her novel, he disappointed himself. For five minutes or so everything would go well; he looked as dejected as possible; but as he fell he was succeeding he became so self-satisfied that he began to strut. A pleased expression crossed his face, and instead of allowing his head to hang dismally, he put it well back. Sometimes, when we wanted to please him, we said he looked as glum as a mute at a funeral. Even that, however, defeated his object, for it flattered him so much that he smiled with gratification.
Gilray made one great sacrifice by giving up smoking, though not indeed such a sacrifice as mine, for up to this time he did not know the Arcadia Mixture. Perhaps the only time he really did look as miserable as he wished was late at night when we men sat up for a second last pipe before turning in. He looked wistfully at us from a corner. Yet as She had gone to rest, cruel fate made this of little account. His gloomy face saddened us too, and we tried to entice him to shame by promising not to mention it to the ladies. He almost yielded, and showed us that while we smoked he had been holding his empty brier in his right hand. For a moment he hesitated, then said fiercely that he did not care for smoking. Next night he was shown a novel, the hero of which had been "refused." Though the lady's hard-heartedness had a terrible effect on this fine fellow, he "strode away blowing great clouds into the air." "Standing there smoking in the moonlight," the authoress says in her next chapter, "De Courcy was a strangely romantic figure. He looked like a man who had done everything, who had been through the furnace and had not come out of it unscathed." This was precisely what Gilray wanted to look like. Again he hesitated, and then put his pipe in his pocket.